Half Life Transcript
By Claudia
NOTE: Whenever René called
Michael's name, he always said the French version, Michel
(pronounced Michelle). Just thought you should know.
TEASER
The camera shows a group of kids with their teacher playing in front
of a museum. The camera moves, and shows Nikita and Michael on a
mission.
Birkoff: What've you got, Nikita?
Nikita looks down to a gadget tied to her wrist, the lights are
flashing green.
Nikita: So far nothing.
Birkoff: What about you, Michael?
Michael looks down on the bomb detector he has tied to his wrist,
unlike Nikita's, his were flashing red.
Michael: Hold on. It's here, get
everybody out.
Birkoff: All teams evacuate the
courtyard.
Nikita and the rest of the Section One team quickly get the kids out
of the area. Nikita, to hurry the process up, yells at of top of her
lungs that there is a bomb here and everyone should move
away. Everybody runs away. Nikita notices a man with long blonde hair
standing a few meters away, watching, before walking away.
Michael takes a bad duffle bag from underneath the fountain.
Nikita: Excuse me, there's a bomb
in the yard. Please get the children inside.
Teacher: Come on, children. Come
on. Inside. Come on, quickly everyone, inside. Quickly, run
quickly.
Nikita: Get out of the park!
There's a bomb -- get back! Please, run! Get out of the park'run!
Nikita: Come on, sweetheart; let's
go inside with the other kids. Get her inside.
Michael: The bomb is in the bag,
250 grams of semtex wrapped in aluminum surrounded by nails.
Nikita: How do you know that?
Michael: Go.
Nikita: Michael, just wait for
containment.
Birkoff: Containment's on its
way.
Michael: There is no time.
Michael take out the semtex wrapped in aluminum and throws it in the
fountain. The bomb goes off just as he and Nikita starts to run
away.
Operations: We received an
anonymous Internet transmission 2 hours before the bombing. The
messages warned of further attacks but there were no accompanying
demands. Was there anything on site that would help identify the
group?
Michael: No.
Walter: The bomb was put together
... piecemeal. Japanese timer, Czech plastique some of the other
parts were homemade.
Madeline: Patchwork acquisition.
Obviously, they have limited resources.
Operations: They're buying off the
world market; that means commerce, which causes ripples. Find them.
Anything else?
Nikita: This may not be anything,
but there was a man on site. There was something not quite right
about him.
Operations: Meaning what?
Nikita: He seemed a little too
interested and wasn't panicking while everyone else was.
Operations: Get with
Birkoff. Hopefully, he's on file somewhere.
The briefing ended, and everyone starts to leave. Nikita starts to
stand up, but Michael grabs the arm of her chair and stops her.
Michael: Why didn't you mention
this to me earlier?
Nikita: I don't know. What
difference does it make?
Michael: What does he look like?
Nikita: Long hair, thirties. Why?
Michael: No reason.
Michael stands up to leave; now it is Nikita's turn to stop him. She
grabs his arm.
Nikita: Michael, what's going on?
Michael: What do you mean?
Nikita: You knew exactly what was
in that bag before you looked.
Michael: It's a common
configuration.
Nikita: I don't believe that. I
think you knew who these people are. What are you holding back?
Michael: Nothing.
COMM
Birkoff: Any of these here?
Nikita: No.
Birkoff: These?
Nikita: Uh-uh. How many more are
there?
Birkoff: Based on what you gave
me, I've got sixty-five with a high correlation. None of them work
out; we'll have to loosen it up.
Nikita: The bomb in the courtyard,
was it a typical explosive?
Birkoff: Semtex? Sort of.
There's about six or seven plastiques that in common use. How about
these?
Nikita: Nope.
MADELINE'S OFFICE
Operations: Hello.
Madeline: Is there something you
need?
Operations: No.
Madeline: If you came by to see if
I got it, the answer is yes.
Operations: Did you like it?
Madeline: Oh, the necklace is
lovely. Here.
Operations: You don't want
it.
Madeline: Let's not open things up
again. We're both much too busy.
Operations: I wasn't trying to
open anything up.
Madeline: Good.
Operations: So! How are the
numbers coming?
Madeline: I'll have them on
time.
ON A STREET
Michael is walking on the street and we see Nikita hidden behind a
wall looking at him, then she starts to follow him around in her
car.
She has a watch like device that lets her hear what they are
saying.
Michael: Hello, Harry.
Harry: Look, I've changed my
mind. I can't do this. I've got a family now.
Michael: Take the money, Harry.
Where is he?
Harry: 221 Impasse de L'Arsenal.
What are you going to do with him?
Michael: I'd like to speak to
René.
Michael: René, arête!
René: Is it really you?
Michael: It is.
René hugs Michael.
René: Why didn't you let me
know you're still alive?
Michael: I couldn't.
René: Why not?
Michael: I can't explain it, and
if I could I'm afraid you wouldn't understand.
René: Why are you here?
Michael: The bomb at the museum. I
recognized your work.
René: How did you find me?
Michael: The details are not
important. I have access to ... people ... in the community.
René: You're on the other
side.
Michael: Yes.
René: And you've come here
to, what? Arrest me?
Michael: No, I'm not here to hurt
you, René.
René: Then please, tell me
what is so important. Why did you have to kill two or my friends?
Huh? To tell me what?
Michael: To ask you to stop.
René: To stop. It's
ironic, isn't it? We always talked them, the oppressors. And now,
you are what I fight against: the policeman.
Michael: Not exactly.
René: I see little
difference.
Michael: A policeman has
rules.
René: So, what now, my old
friend?
Michael: Go back home.
René: My home is wherever
people are oppressed.
Michael: They don't know who you
are yet. I can protect you, but you have to do exactly as I say.
René: You mean sell out
everything I believe in so I can save myself? Please Michel! You
know me better than that.
Michael: Don't make me come after
you, René. If you strike again I will find you.
Michael turns around to live with a really anguish expression on his
face, René starts singing'
René:
Les bourgeois c'est comme les cochons
Plus ça devient vieux plus ça devient bête
Les bourgeois c'est comme les cochons
Plus ça devient vieux plus ça devient ...
René: The greedy bourgeois
are just like pigs! The older they are, the dumber they get!
SYSTEMS
Nikita enters systems, logs in, then places the video of René
she made earlier when he met Michael and starts looking for him in the
system.
Nikita: Hi.
She founds him, and starts watching a video:
The protest didn't start until everyone had had lunch. But then, the
niceties were over. Students, and their teachers, hit Paris in waves,
the largest in the month-long series of demonstrations. Officially,
nearly 3,000 extra riot police turned out to meet them, but some said
the number was double. At any rate, they and the students have played
this game before. They both knew the rules.
Another video:
It was the biggest so far of the recent student demonstrations, a
national one called to protest against government plans to reform the
universities. But the government has handled it so clumsily that,
although the plans are deliberately vague, everyone -- left and right
-- feels threatened. It was mostly the right who turned out
today.
Nikita astonished finds Michael in the crowd along with
René.
MADELINE'S AND OPERATIONS' DINING
ROOM
Madeline: Josephson requested a
back-up team.
Operations: I thought it was a
Cold Op?
Madeline: So did he. They found
land mines in the area. Someone's been there recently.
Operations: We need that Intel.
Give him what he needs. I see I'm scheduled to go on-line with the
Agency this afternoon.
Madeline: They want to know about
Brussels.
Operations: Has anything changed
in the last twenty-four hours?
Madeline: No.
Operations: See if you can put
them off. There's no point until we know something.
Madeline: I disagree. You need to
show your presence. This thing will get bloody and when it does,
whoever has an attendance problem will pay.
Madeline: I was a little direct
yesterday. I hope you didn't take it the wrong way.
Operations: Of course not.
Madeline: Where are we on the
museum bombing?
Operations: I don't have anything
on my screen. If nothing comes up in a couple of hours, call down to
Comm.
MICHAEL'S OFFICE
Nikita: We need to talk.
Michael: I'm busy.
Nikita: I followed you last
night.
Michael punches the code to secure the room.
Michael: Yes?
Nikita: René Dian. In
1984, along with some other extremist students of Paris University, he
formed a radical activist group called "L'Heure Sanguine" -- the
"Bloody Hour."
Nikita: There was a bombing,
people died. Everyone escaped except for you. You were arrested. Of
course you died in prison just like I did. And now, after all this
time, René's resurfaced and you two have crossed paths.
Michael: Yes, I knew him.
Nikita: Now you're protecting
him.
Michael: Up to a certain
point.
Nikita: Why would you protect him
at all? After all the lectures to me about "sacrificing feelings
... for the greater good," hm?
Michael: I'll take care of it,
Nikita.
Nikita: There's something you're
not telling me.
Michael: Just stay out of it.
COMM
Nikita: Hey, Birkoff. I just
remembered something.
Birkoff: What?
Nikita: This guy from the museum
might have had a mole on his neck and he could be French.
Birkoff: What do you mean, could
have been French?
Nikita: Just check it.
Birkoff: All right, I'll add the
two constraints. And mole; and French'.
Nikita: That's him.
Birkoff: René Dian.
L'Heure Sanguine. Small student radical group from the '80's.
Inactive. No wonder it didn't show up.
Nikita: Do you know where to find
him?
Birkoff: I can try.
Nikita is pacing behind Birkoff and she's impatient
Nikita: He's here. There's a
tracker on him.
Birkoff: What are you'?
Nikita: Don't ask questions: just
take the credit.
MADELINE'S OFFICE
Michael: Yes?
Operations: René Dian. You
were close with him.
Michael: Yes. Why?
Madeline: He's responsible for the
museum bombing.
Michael: How do we know?
Operations: Nikita remembered a
few details which pointed Mr. Birkoff in the right direction.
Michael: I see.
Madeline: We'd like you to bring
him in. Is that a problem?
Michael: Of course not.
Operations: Good.
CITY BUILDING
Michael: I asked you to stay out
of it.
Nikita: Yes, you did. You should
try talking to me the next time, Michael. Maybe you'll get better
results.
Michael: He's moving position.
All Teams converge to the South exit. He's leaving the building.
OPERATIVE: Get up!
René: Shame on you! After
what I've done for you...eh? I was mistaken when I said you were
still alive. ...!
Nikita: Get him out of here!
THE PERCH
Madeline: Michael's Team just
picked up René Dian. They're on their way.
Operations: It was only a matter
of time before Michael crossed paths with someone from his past. Can
we use that relationship to our advantage?
Madeline: We're exploring that
now.
Operations: Good. You need to find
out if the bombing are the work of the resurrected L'Heure Sanguine,
or if they represent a new association of Dian.
Madeline: Are you going to be here
late?
Operations: Most likely, why?
Madeline: I'll have Christopher
bring up some dinner for you.
Operations: Well, that will be
nice.
WHITE ROOM
René: The mind is an
amazing thing.
Madeline: Sometimes.
René: While I sat here
waiting, knowing what's to come, the strangest thoughts came to me.
Did it rain last Thursday? Suddenly, knowing that was critical. Why
would that concern me here'now? Strange.
Madeline: Perhaps it's your fear
looking for a place to hide.
René: Hm. Perhaps.
Madeline: What group has
contracted you to do these bombings?
René: Hm. I see my charm is
insufficient to distract you at the business at hand.
Madeline: I'm afraid so.
René: Too bad. What was
your question?
Michael is watching the interrogation trough a camera from his
office.
Madeline: The group you are
working for.
René: Red Cell.
Madeline: Red Cell?
René: You don't believe me?
Madeline: Well, Red Cell is
sophisticated, global. Your record suggests more... provincial
activity.
René: One must face the
realities of a modern world. Mergers, takeovers...even in the
resistance movement.
Madeline: What are their targets?
René: We planted devices in
every major city in the world. We'll begin detonating them one at a
time.
Madeline: I see.
MICHAEL'S OFFICE
Madeline: He claims he's no longer
affiliated with L'Heure Sanguine. That he's been commissioned to set
off these bombs on behalf of Red Cell. Is that likely?
Michael: No.
Madeline: I agree. What's he's
doing, Michael?
Michael: Trying to regain his
importance. René's living in another time. His causes are
obsolete; most of his comrades are dead.
Madeline: So you think he's on his
own?
Michael: Perhaps. But,
René's a leader. His strength is recruitment. There may be a
few others, not many.
Madeline: We have to clean this
up. Would you like me to take care of it?
Michael: No, I'll do it.
NIKITA'S APARTMENT
Nikita: Come in. I was surprised
to get your call.
Michael: Did you finish the
Debrief?
Nikita: Yes. Why?
Michael: You did the right thing,
Nikita.
Nikita: It's how you trained me,
Michael.
Michael starts walking around the apartment, but he seems
hesitant. Nikita just waits for him to talk.
Michael: René and I were
students together at the University. We shared similar beliefs,
mostly that a change was needed. We organized demonstrations, shouted
slogans, made speeches...
Nikita: Made bombs?
Michael: Yes. I don't even
remember how it started. I was angry at everything, at the world
around me. When I met René, everything he said seemed so
true.
Nikita: Why are you in his debt?
Michael: My sister.
Nikita: Your sister?
Michael: After my parents died, I
... took care of her. ... She was still very young. When I was
arrested there was no one to help her. René took her in. Even
after he thought I was dead he kept providing for her.
Michael: He had no reasons to do
it, except out of kindness.
Nikita: Didn't you tell me once
that you can't separate the man from his actions? He's still a
terrorist.
Michael: To me, his actions are
that of a friend.
Nikita: Michael, disengage. Let
the Section sort this out.
Michael: It's too late. A
profile's been set. I'm not sure I can do it.
Nikita: Why are you telling me
this?
Michael: I wanted you to know in
case something happens to me.
With tears in her eyes she pats his knee, he grabs her hand.
COMM
Operations: What's going on?
Birkoff: We're getting a Delta
Alarm.
Operations: Nuclear detonation?
Birkoff: Two of them! Thirty
seconds apart, one in the Ukraine and one in the Atlantic.
Operations: Is doesn't make sense.
How long ago?
Birkoff: Two minutes.
Operations: Have you confirmed?
Birkoff: No. All of our internal
systems are consistent.
Operations: Initiate a Lock-Up,
then go to Level Four and bring everybody in!
Birkoff: Link with the DOD
satellite. See what data it has.
WHITE ROOM
René: Michel!
Michael: Do exactly as I say.
René: Where are we going?
What's happening?
Michael: I'm getting you out of
here.
COMM
Birkoff: Are you sure? Nothing?
What about seismic? All right, thanks. There was no Event. Whatever
we're seeing is internal.
Operations: How could that be?
Birkoff: I don't know -- yet.
HIGHWAY, DRIVING
René: Are we safe?
Michael: Not yet. We have to get
out of local radius.
René: How did you do this?
Michael: I uploaded a pseudo
alarm. They've discovered it by now, but it'll give us time to reach
a blind spot. From there we can get out of the country.
René: They'll track you
down.
Michael: Doesn't matter.
René: They'll kill you.
Join us, Michael. Give your life some meaning again or death some
purpose.
Michael: It's not possible.
René: Why not? It will be
what we always wanted. We're older, smarter: we can do it right this
time.
Michael: Once we're out of the
country, I'll take you somewhere safe. You know a place?
René: I do. I'll have the
other join us there. Meet them, listen to them. Then, if you're not
convinced, I'll help you disappear where no one can ever find you.
Huh?
COMM
Operations: Are we fully
operational?
Birkoff: I've deleted the virus
Michael planted in the system.
Operations: Are we tracking?
Birkoff: Yeah, I've got them.
Operations: All right, mobilize
the Team.
Birkoff: Everyone's on their way
in.
Operations: Good.
Nikita: I just got the call.
Where's Michael?
Operations: Birkoff will fill you
in.
Birkoff: The Profile will be
downloaded by now.
OLD BUILDING
They are in the elevator of an old building
Michael: What?
René: I was remembering
'84, the transportation strike. We all dreaming of the great cause and
the role we might play. We spent most of our time delivering fresh
underwear and toilet paper to the strikers.
Michael: We rode those beat-up
Lambrettas.
René: Those were the good
times. You must agree on that, no?
Michael: We were young.
Everything seemed good then.
Man: Hey, hey, René.
Woman: Salut.
Man: It's good to see you.
René: Come on. Come.
René: This is Michel.
Jeanine: (in French)
René has spoken about you often. Welcome.
René: Are we still on
schedule for Tuesday?
Jeanine: We just got the
detonators last night. Claude is preparing them. We're studying the
layout of the clinic now.
René: Our material is
limited. We can't level the building. Plant the charges where they
kill the most people.
René: I have something for
you.
Michael: What did you tell her
about me?
René: The truth. That you
were a great hero. She married a chef. They live in the country with
their young son.
Michael: Yes, I know. I check on
them.
René: So, you've seen
them.
Michael: Not in person. I monitor
them through our system.
René: Huh, it's not the
same. You have to see them.
Birkoff: (via comm)
Parameter Team A, stay on mark.
René: He's a beautiful boy,
Michel. Let's have some wine!
Michael: Not yet.
René: Not yet... means you
will soon?
Birkoff: (via comm) Keep
them in visual.
René: And with Michael
aboard, you will understand the meaning of the word
commitment. There's no one like him: there never was.
René: A Ton Retour!
Birkoff: (via comm) Now!
Michael: Everyone's been hit.
Cease fire.
Birkoff: Outside Teams, hold your
positions.
René: How could you?! Huh?
Michael: I'm sorry.
René: You have no soul ...,
no honor!
René: Defend yourself! I
said, defend yourself! You once said that a person can define
themselves by what they are willing to die for. I will die for a
belief. You will die because you have none!
Michael closes his eyes, he is going to let René kill him, but
Nikita is right behind him and kills René.
Michael: You should have let him
do it.
Michael knees next to René and closes his eyes, he's about to
cry.
THE PERCH
Nikita: You wanted to see me?
Operations: I know sometimes the
line can blur, Nikita. The one between loyalty to a friend and duty to
the Section. It's a common mistake for an Operative to believe that
he -- or she -- can elude the eyes of the Section. They can't.
Nikita: I never thought I
could.
Operations: Then why didn't you
tell us about René Dian from the beginning?
Nikita: Because I had nothing to'
I was protecting him.
Operations: That interesting! You
were trying to protect him.
Nikita: If Michael was hiding
something, there had to have been a powerful reason. I respected
that.
Operations: Michael was thrown off
balance by René. But he was quick to adjust, as we knew he
would. There's nothing you know that we don't know first. No move
you'll make we don't anticipate. I think you fundamentally understand
this, but every once in a while you need to be reminded.
Nikita: Or warned?
Operations: It might seem
far-fetched; Nikita, but you are the future of Section One. Just a
reminder.
The episode ends with Michael sitting in his car watching his sister
with her son. He watches as her son runs toward his father. The father
picks up his son, and kisses Michael's sister giving her a
bouquet. (You know the big happy family.) As Michael rolls up
his car window, the French song René was singing is been played
again.
Les bourgeois c'est comme les cochons
Plus ça devient vieux plus ça devient bête
Les bourgeois c'est comme les cochons
Plus ça devient vieux plus ça devient ...
THE END