No One Lives Forever
MAIN FLOOR
Nikita walks in. Everybody seems to be staring at her. She proceeds up
to the Perch.
Nikita: You wanted to see me?
Operations: Nikita, a decision has
been made regarding your status as an operative. (Madeline looks at
Operations as if something's up) It's time for you to leave.
Nikita: Leave?
Operations: Yes. Your stay here at
Section One has come to an end.
Nikita: That's it?
Operations: Yes.
Nikita: Just like that?
Madeline: There are some strings,
Nikita.
Operations: No contact with your
former life or Section life.
Madeline: This is a pilot
program. We will have you evaluated once a month.
Nikita: Does Michael know about
this?
Operations: He's in Senegal. We'll
tell him when he returns.
Madeline: I'm afraid we'll have to
say goodbye for you.
Nikita walks out. Madeline looks again at Operations. She looks
concerned. He looks strangely uncomfortable.
MAIN FLOOR
Nikita looks up at Operations and Madeline. Operations walks over,
sits on his ledge. Madeline comes over to stand beside him.
Operations: Why do you think
George wants this to happen?
Madeline: I don't know.
Operations: This has never been
done before.
Madeline: It's quite
bothersome.
Operations: We're both practically
in the dark.
Meanwhile, down on the floor, Walter and Birkoff are bidding Nikita
goodbye.
Walter: Well, it goes without
saying we both envy you, sugar.
Nikita: You two haven't heard a
word I said.
Walter: Huh?
Nikita: Operations is setting me
up.
Birkoff: Why?
Nikita: I don't know. I don't know
why they chose me.
Walter: What do you mean?
Nikita: Maybe my time here really
is up. Maybe this is the way they're going to try to cancel
me. Walter, you've been here 35 years - has this ever happened
before?
Walter: No. But they did say this
was a pilot program. Maybe it's on the up and up. Maybe they're going
to cut us loose someday.
Nikita: Yeah. Can't be right.
Walter: You're paranoid. OK, I
don't blame you. But you'd better kick it soon - otherwise you'll
never make it on the outside.
Nikita: Yes.
She touches both their hands on the way out.
Birkoff: Good luck. (To Walter
after she leaves) I hope she makes it.
Walter: Yeah.
Nikita walks to Van Access... walks out. The door swings shut behind
her.
NIKITA'S APARTMENT
Nikita is packing up the last of her things. Looks like she's
reminiscing. There is a knock on the door. She sees that it's Michael,
touches the video screen and opens the door.
Michael: I came to say
goodbye.
He starts to kiss her cheek, then her neck. She takes his jacket off
as they kiss and then the scene dissolves and they are in bed together
and he's running his hands over her back. Then it dissolves again and
she's waking up in her new apartment.
Voice over of Operations and Madeline:
Madeline: It's been six weeks
since Nikita left.
Operations: Will she make it on
the outside?
Madeline: If we decide we want her
to.
We see Nikita walking down a busy street; checking customers out at a
bookstore, flirting with a male customer.
Bookshop Owner: You should go
home, Nik.
Nikita: As soon as I'm done
here.
Nikita walking home; tossing and turning in her sleep. Back to the
bookstore.
YORK BOOKSTORE
Nikita laughs at a joke the guy shown earlier made.
Nikita: I hadn't heard that one
before. That's cute.
Andy: How about dinner sometime?
Nikita: Uh - I don't know.
Andy: I mean, It doesn't have to
be dinner. You could shoot me down over coffee.
Nikita: I'll think about it.
Nikita gazing soulfully out the window of her apartment.
NIKITA'S NEW APARTMENT
There is a knock at the door. A voice comes through.
Henri: Nikita? It's Henri.
She lets him in; they sit at the table.
Henri: You're sweating.
Nikita: Thermostat's broken. She
sees him putting that bit of intel into a PDA. Who sees that?
Henri: Doesn't matter. What are
you afraid of, Nikita?
Nikita: What do you think I'm
afraid of?
Henri: You're waiting for the
other shoe to drop. Well, I'm afraid you'll grow old waiting. This is
your life now.
Nikita: I've been in too long to
believe that. As soon as things get good, it's time to go. So, when
are they going to stop sending you?
Henri: When they think you've
successfully integrated. This is an important test, Nikita. If it
works for you, the program will continue.
SECTION ONE - CORRIDOR
Operations is standing there, smoking. He still looks
nervous. Madeline approaches and stands beside him.
Operations: Did you say
something?
Madeline: Did George give any
indication something was wrong when you were at Oversight?
Operations: No.
Madeline: And no explanation for
Nikita's release?
Operations: What he said was that
this was a pilot program.
Madeline: Don't let this distract
you. Maybe that's what George wants.
Operations: What he wants is a
war?
Madeline: Are you prepared to
fight?
Operations: To the death.
Operations walks away. Madeline looks after him, concerned.
CITY STREET
Nikita and Andy walk along.
Andy: I'm glad you called.
Nikita: I had fun.
Andy: Me too. You like the
ballet?
Nikita: I don't know.
Andy: What, you've never been?
Well, we're going to have to rectify that, won't we?
Nikita: This is me.
Andy: Would you like me to walk
you inside? Call me old fashioned.
Nikita: No, that's okay. She leans
over and kisses him, just a little peck.
Andy: Can I call you tomorrow?
Nikita: I'd be upset if you
didn't.
Nikita enters her apartment and stops short. George is there, standing
by a flowerpot.
George: This is nice. What is
it?
Nikita: It's a (can't hear
this) begonia.
George: Are they hard to take care
of? I'm George.
Nikita: I know who you are. What
are you doing here?
George: Sit down, Nikita. The man
you were with tonight, Andy, do you like him?
Nikita: I don't know.
George: But you could, given the
time to get to know him?
Nikita: (annoyed) What do
you want?
George: I'm glad you're enjoying
your freedom, Nikita. You have me to thank, you know. Now I want
something in return.
Nikita: Or you'll send me
back.
George: Yes.
Nikita: What is it you want me to
do?
George: I want you to kill
Operations. You know I'm not at liberty to go into specifics. Lets
just say that Operations has become a liability.
Nikita: Is this because of
Adrian?
He seems surprised that she knows.
George: That has something to do
with it, yes. Trying to destroy Oversight has been part of his agenda
for some time.
Nikita: Sounds like an internal
matter. It has nothing to do with me.
George: That's where you're wrong,
Nikita. It has everything to do with you. Operations' drive is what
brought you to Section.
Nikita: I don't understand.
George: What do you know about
your father?
Nikita: My father died when I was
very young.
George: How?
Nikita: I don't know. He was very
sick.
George: He belonged to Section. He
was recruited around the same time as Operations came in. The two of
them were always competitive. Your father was clearly the rising star
and Operations knew it.
Nikita: He killed my father?
George: Yes. And when your mother
started asking questions, he introduced her to drugs and destroyed her
life. You were his trophy, Nikita. He recruited you to prove his
strength. His willingness to do whatever was necessary.
Nikita: I don't believe you.
George: Will you do this for me,
Nikita? For your freedom? For your family? You have two days to
decide.
Nikita: I'll need to find a way to
get back inside Section.
George: You'll figure it
out. Otherwise I'll put you back in - for good. If I see the begonia
in that window, I'll know you've accepted the mission. If not, expect
to hear from me.
George leaves. Nikita looks upset.
YORK BOOKSTORE
Owner: This is awfully short
notice.
Nikita: I'm sorry. It's a family
emergency.
Owner: Will you be coming
back?
Nikita: I don't think so.
Owner: This should cover what I
owe you. (Tries to hand her money)
Nikita: You should keep
that. Thank you.
Andy comes in as Nikita is trying to leave, tickets in hand.
Andy: Feast your eyes. Orchestra
seats, this Friday.
Nikita: I can't go.
Andy: Why? I thought you had a
good time the other night?
Nikita: I'm sorry, Andy - I'm
sorry.
She beats a hasty retreat.
MADELINE'S OFFICE
Operations: She suddenly quit her
job yesterday, and the guy she was warming up to, now he's out of the
picture.
Madeline: Could be nothing.
Operations: Or everything.
Madeline: Sounds like she's simply
having trouble integrating into the real world. Adjustment difficulty
was expected.
Operations: We can't get involved,
not now. George would know.
Madeline: In here, Nikita was a
respected operative. Out there, she's just an attractive young woman
with no real life skill set. Will she survive? Depends upon how strong
she is.
OUTDOORS
Michael gets into his Mercedes. 89.7 is written in the frost on the
windshield. He turns on the radio and tunes to 89.7 which turns out to
be the all-Nikita all-the-time station. LOL.
Nikita: Michael. I need to see
you. If you can get away, shine your lights. (He does) Tomorrow
at noon, the coffee shop across from Ordovi (sp?) Industrial
Park. Can you make it? (He flashes the lights again) Thank
you.
THE PERCH
Operations and Madeline are listening to Nikita's little
broadcast.
Madeline: Does Michael know we
have this?
Operations: No.
Madeline: What do you plan to
do?
Operations: I made it very clear
she was not to make contact with her old life.
CITY STREET
Nikita, across the street, walks Michael walk into the Patrician Bar &
Grill. Then without warning a black van squeals up. Two operatives
grab her and drag her inside, kicking and screaming. Michael, inside
the coffee shop, sees nothing.
NIKITA'S NEW APARTMENT
We see the begonia in the window and hear George in voice over "If I
see the begonia in the window, I'll know that you've accepted the
mission."
MUNITIONS
Birkoff walks up to Walter, obviously agitated.
Birkoff: Walter.
Walter: Hey, hey, what's the
matter? You look like you've seen a ghost.
Birkoff: Wish I had. Come here,
you've got to see this.
They watch as Nikita is escorted back into Section.
Walter: What the hell is she doing
back here?
WHITE ROOM
The operatives try to push her into the White Room, she shakes them
off.
Nikita: I know the drill.
She enters and seats herself in the chair where she is
restrained. Operations enters.
Operations: Why? You blew it. You
knew the rules. You should never have made contact with Michael. There
will be no second chance, Nikita.
Nikita: I know.
Operations: You will immediately
report to level one. Probationary status is in effect. That means
in-house quarters, limited access, weapons issued by my orders
only. Your advancement here depends upon your level of success. (He
goes to leave and then pauses) Welcome home, Nikita.
Operations leaves.
SECTION ONE - CORRIDOR
It appears to be very late; Comm is dark and nobody else is
around. Operations and Madeline walk side by side.
Madeline: What did she say?
Operations: Nothing.
Madeline: Would you like me to
talk to her?
Operations: Not just yet.
Madeline: She didn't just break
the rules. She came back for a reason.
Operations: Michael.
Madeline: Maybe. Or maybe it's
something else.
Operations: What matters is that
Nikita is back. Under my control. (Operations's eyes are sparkling,
he's almost smiling)
Madeline: Does George know?
Operations: I was just about to
inform him.
SECTION ONE - HOLDING CELL
Nikita is sitting on the headboard of the bed with her shoes
off. Walter and Birkoff enter.
Birkoff: What are you doing back
here?
Nikita: You don't look happy to
see me.
Birkoff: We're not.
Walter: Don't take this the wrong
way, sugar, but - we were hoping we'd never see you back here
again.
Birkoff: How'd you blow your
chance?
Nikita: I needed to see
Michael.
Walter: Just for a roll in the
hay?
Nikita: You don't understand. You
don't know what it's like out there. I needed somebody who understood
me.
Walter: Well it's been a while
since I've been out there, but it's got to be a hell of a lot better
than it is in here!
Nikita: This place... you think you
hate it. Then you get used to it. Spend enough time here, you depend
on it.
Birkoff: We were depending on
you.
Nikita: I'm sorry I let you
down.
The door opens; Michael is there.
Walter: Let's go, Birkoff.
They leave.
Nikita: How'd they find out?
Michael: Operations had you
shadowed.
Nikita: Operations talk to
you?
Michael: He wanted to know why you
contacted me.
Nikita: What did you say?
Michael: I didn't have the
answer.
Nikita: I don't want to be free if
I can't be with you.
Michael: They won't make it easy
on us.
Nikita: What else is new?
Michael: I have a briefing.
Nikita: I have to report to
training. Michael goes to leave. (Nikita then says something I
couldn't decipher)
Michael leaves. Nikita places a device on the bed.
Nikita: I'm in.
George: Yes, I heard. Good
work.
Nikita: This isn't going to be
easy. They've downgraded my status, I don't have access to a
weapon.
George: Look under your
mattress.
She does and finds a gun.
Nikita: How did this get here?
George: It doesn't matter.
Nikita: Who's on the inside? Who
is it?
George: You know too much already,
Nikita.
Nikita: Is it Michael?
George: As of now you're on
standby. I'll contact you when it's time to move.
Nikita: I'll have to isolate
Operations. Otherwise I'll be dead before his body hits the
ground.
George: Don't worry, I'll move him
into position. Good luck, Nikita.
MICHAEL'S OFFICE
He returns from the briefing and there's Nikita in his chair.
Nikita: We need to talk.
Michael: You're not supposed to be
here.
Nikita: There's a lot I'm not
supposed to be.
Michael: (sees the gun)
How'd you get that?
Nikita: I found it - under my
bed.
Michael: You can't keep it.
Nikita: Why was I chosen? Is it
because of my relationship with you? I can't do this without some
answers, Michael.
Michael: Do what?
Nikita: I think you know.
Michael: Aren't you supposed to be
somewhere?
Nikita: Yeah.
Michael: Training.
Nikita: You don't want to
confiscate this?
Michael: If I do that and they
find out, they'll put you in abeyance.
Nikita: Is that the only
reason?
Michael: I trust you'll take it
back.
Nikita: When I'm done?
She gets only the blank stare in return, and leaves.
THE PERCH
Operations is on the phone with George.
Operations: Yes George. It's in
data storage. Now? Of course. If you'd like I'll handle it
personally. Yes. Goodbye.
SECTION ONE - HOLDING CELL
Nikita sleeps. Suddenly she hears a voice.
George: Josephine.
She flips up the mattress and we see the gun again.
SECTION ONE - LEVEL ELEVEN
Operations walks along and Nikita stalks him. She has him in her
sights and raises the gun. She has a perfect shot. Suddenly, Madeline
appears behind her.
Madeline: Nikita! (It's
uncertain whether Madeline saw the gun but her voice stops Nikita in
her tracks) We need to talk.
Nikita's face looks almost relieved... she's upset, unsure of what
she's doing.
MADELINE'S OFFICE
Madeline: Sit down. I expect
nothing but the truth, Nikita.
Nikita: Of course.
Madeline: Why did you approach
Michael on the outside?
Nikita: I wanted to see him.
Madeline: You knew making contact
with Michael was a one-way ticket back to Section, yet you did it
anyway?
Nikita: I don't expect you to
understand.
Madeline: I understand love,
Nikita. But would I risk my freedom for it? Knowing full well the
consequences. I don't think so.
Nikita: Then you've never really
loved before.
Madeline: How did you get onto
level eleven?
Nikita: I stole the access
codes.
Madeline: Why?
Nikita: I wanted to talk to
Operations.
Madeline: About what?
Nikita: That's between him and
me. (Madeline looks at her monitor. She can see that Nikita has a
gun) I wasn't allowed anywhere near the Perch so I thought I might
catch him on the outside.
Madeline: Level 11 is off
limits. You violated your probationary status.
Nikita: I know.
Madeline: Violation is grounds for
abeyance.
Nikita: So what are you going to
do?
Madeline: I'm sending you back to
your quarters. Stay there until you hear from me.
SECTION ONE - HOLDING CELL
Nikita enter and pretends to take her shirt off. She says to the
guards:
Nikita: If you don't mind?
They leave and she takes out her communicator and contacts George.
Nikita: We have a problem.
George: Not if Operations is
dead.
Nikita: He isn't. Madeline came
out of nowhere, I had to stand down.
George: How much does she
know?
Nikita: She's not saying, but
she's suspicious.
George: Then you're going to have
to act fast.
Nikita: Just line him up and I'll
take him down.
George: No, no, I can't do that
again. You're going to have to do this on your own.
Nikita: That's suicide.
George: Don't worry. I'll have
someone there to protect you.
MICHAEL'S OFFICE
Madeline enters.
Madeline: I found Nikita on level
11.
Michael: What was she doing?
Madeline: Following Operations. I
think she was going to kill him.
Michael: Why?
Madeline: I think someone is using
her. For their own reasons.
Michael: Have you told
Operations?
Madeline: Not yet. I want to know
more.
Michael: You want to align
yourself with his successor.
Madeline: That would be the safe
way to play it.
Michael: Who do you suspect?
Madeline: George. And you. George
wants you in Operations chair. Someone he thinks he can control. So
you two are using Nikita to kill Operations.
Michael: Why would I do that?
Madeline: Because you'll inherit
his post.
Michael: My time will come.
Madeline: Oh yes. But the question
is, when?
She leaves.
SECTION ONE - HOLDING CELL
The two guards enter warily, looking for Nikita. She's on top of the
door, jumps down, knocks them out, and leaves.
SECTION ONE - HOLDING CELL
Madeline approaches, buzzes herself in. She sees the downed operatives
and spins on her heel, calling on her cell phone. Inside the perch,
Operations' phone rings but Nikita cocks a gun, pointing it at
him.
Nikita: Don't pick it up. (She
darkens the perch)
Operations: What are you
doing?
Madeline appears next to Nikita.
Madeline: Stand down, Nikita.
Nikita: Leave, Madeline.
Madeline doesn't move.
Madeline: Okay. You do what you
have to. But there's something you have to know before you pull that
trigger.
Nikita: He killed my father.
Madeline: No. That's just what
someone wants you to believe.
Nikita: You're lying.
Madeline: Am I? Think about your
life here. All these years you've had unrestricted access to
Operations, while our most senior operatives don't have that kind of
clearance.
Operations looks scared.
Nikita: You're going to have to do
a lot better than that.
She moves forward with the gun.
Madeline: With all that you've
done, all the protocol that's been broken, you should be in abeyance,
or even cancelled by now. Why do you think you're still alive?
Nikita: I was a good
operative.
Madeline: And then there's
Michael.
Nikita: What about Michael?
Madeline: Despite what you might
think, Operations tolerates the relationship.
Nikita: Tolerates? Is that what
you call tearing us apart? Tolerates?
Madeline: Roadblocks, Nikita. All
to manage the relationship. Operations accepts you two because he
knows one day Michael will take over Section. The relationship ensures
that his daughter will be insulated. He's your guardian angel,
Nikita. He's your father.
Nikita: Are you?
Operations: You know I can't
answer that question.
Nikita: Are you my father?
After a tense moment, she lowers the gun and lays it on the ledge. She
leaves. Operations and Madeline both look like they have tears in
their eyes.
Operations: It all makes sense
now.
Madeline: Yes, it does.
(He dials the phone)
Operations: Hello, George. About
that explanation. There's no need now. I already know. Oh, by the way
- nice try.
Camera to Madeline during this conversation. She looks sadder than
I've ever seen her.
SECTION ONE - CORRIDOR
George: Paul. Sorry to keep you
waiting but there's something I think you should see.
He hits some code and a tray slides out with a body. He pulls back the
sheet - it's a double of himself.
Operations: Who is he?
George: We're running DNA now.
Operations: So it was this man,
not you, who gave Nikita the order to kill me?
George: While I was out of the
country.
Operations: I trust everything can
be accounted for.
George: Yes. Except for one thing
- I don't understand how he got a weapon to her.
Operations: You think he was
affiliated with someone on the inside.
George: I'm certain of it.
MADELINE'S OFFICE
Madeline: Come in, Nikita. As of
now, your level 2 status has been reinstated. Michael will brief you
on all current situations. You were following orders, Nikita. I
understand that now.
Nikita: Is Operations my
father?
Madeline says nothing... but she still looks very sad. Nikita
leaves.
THE END
Edited by Dana